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Yesterday I went, along with [livejournal.com profile] greengolux and her sister, to the Barbican, that great, horrible, confusing, concrete Doom-level of a complex, to see David Edgar's 'Continental Divide' plays. One, Daughters of the Revolution, sees a grown-up 60s radical liberal confronting and coming to terms with his past and present; the other, Mothers Against, offers a window into a pre-debate boot camp for a Republican gubernatorial candidate. The two plays are intimately linked: Both take place against the backdrop of the same campaign, and characters from one appear in or are mentioned in the other. They're joined at the hip thematically, too, since despite the differences in scope and political focus, both deal with the same issues. At the top level, they're about principles vs. pragmatism, the collision of ideals with reality, although there's a lot more to them than that. Race, education, guns, freedom of speech - between them, the two plays explore a majority of the recurrent flashpoints in American politics.

If you want a blurb, these plays are a theatrical version of The West Wing. This is particularly true of Mothers Against, because of its closer focus; where Daughters of the Revolution sprawls across multiple locations, Mothers Against takes place entirely in one house, and where Daughters... has a cast of dozens, Mothers... has only eight characters. Not uncoincidentally, I found it the more interesting of the two - although I also thought it was the less polished. It's in some ways a shame (although arguably inevitable, and also arguably a necessary decision within the context of the plays) that to create a sympathetic Republican character Edgar has to make him as socially liberal as any Democrat. In addition, the ending of Mothers... feels strangely abrupt. Despite the fact that the two can ostensibly be seen in either order, I think seeing Mothers Against second is helpful, since it can only really be understood - on a literal level, never mind the themes - within the context of Daughters of the Revolution, and I don't think the reverse is true.

Anyway, these are both complex, interesting plays; I bought the text, so that I can go back and absorb all the details I didn't pick up whilst watching. Together, they lay bare the flaws of both America's parties. It is to be debated how optimistic they are, since arguably, whilst both the lead characters transcend their situations, their parties do not. We went on the recommendation of [livejournal.com profile] immortalradical; I pass on the recommendation to everyone who didn't read his review, and in particular to [livejournal.com profile] tinyjo. If you can see these plays, you should.

Today saw an entirely different (and entirely more trivial) battle: the university boat race, which thanks to those wacky tides was this year run at 6pm on a Sunday. There is no doubt a long and detailed list somewhere describing what a pointless institution this event is, but I like it nonetheless; it's almost my only concession to naked tribe mentality, if you like. I met up with [livejournal.com profile] gagravarr, [livejournal.com profile] domh, [livejournal.com profile] zihuatenejo and others; we shouted ourselves hoarse, watched Oxford lose, then retreated to a rather nice Cuban restaurant on Kensington High Street for dinner. All in all, a good weekend.

Date: 2004-03-29 06:03 am (UTC)
From: [identity profile] coalescent.livejournal.com
Well, I don't much care if anyone else reads it. The important thing is that I know what it's about. :)

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