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Abstract

There are four major types of driving: Town driving, country driving, motorway driving and night driving. The set of suitable driving music varies with the type of driving undertaken.

Methods

A wide range of music was tested in a variety of driving situations over a five year period. Those pieces of music found to best match particular driving tasks were recorded. The top five pieces of music for each driving situation were subsequently identified.

Results

Top five songs for each driving situation.
Town Driving Country Driving


  1. 'Harborcoat' (REM)

  2. 'The Boy With The Arap Strap' (Belle & Sebastian)

  3. 'Big Sur' (The Thrills)

  4. 'What I Thought' (Goldrush)

  5. 'Underdog (save me)' (Turin Brakes)




  1. 'Burn Baby Burn' (Ash)

  2. 'Much Against Everyone's Advice' (Soulwax)

  3. 'Lost Art Of Keeping A Secret' (Queens of the Stone Age)

  4. 'Little Discourage' (Idlewild)

  5. 'New York City Cops' (The Strokes)


Motorway Driving Night Driving


  1. 'There Goes The Fear' (Doves)

  2. 'Nobody Girl' (Ryan Adams)

  3. 'Fool's Gold' (The Stone Roses)

  4. 'Blood Money' (Primal Scream)

  5. 'Leave' (REM)




  1. 'Paris Train' (Beth Orton)

  2. 'Never An Easy Way' (Morcheeba)

  3. 'Scattered Black And Whites' (Elbow)

  4. 'Smoke' (Ben Folds Five)

  5. 'Protection' (Massive Attack)




Conclusions

(a) Music for town driving should be relaxing yet upbeat. The music of bands such as early REM and The Thrills, and of singer-songwriters such as Ed Harcourt and Matthew Jay, is well-suited to this type of driving.
(b) Country driving is often the most enjoyable type of driving, and the accompanying music should therefore be punchy and energetic. Ash is the quintessential country driving band.
(c) Music for motorway driving should have a groove. Interestingly, positive grooves ('There Goes The Fear') and negative grooves ('Leave') are equally effective.
(d) Music for night driving should be calm and warm. Nostalgia is often appropriate. In hindsight, the finding that songs such as 'Angel' (Massive Attack) and 'Low Five' (Sneaker Pimps) are 'too dark' for night driving is obvious.

It has not escaped the author's attention that these findings suggest a mechanism for creating idealised driving compilations.
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